Elvis Costello, by me.

Elvis Costello, by me.
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Elvis Costello, by me.

Here’s some sort-of fan art for a game I’ve never played nor do I know much about. Can anyone find all the little easter eggs in here (there are five, I think)?

Part of a comic I drew for my ladyfriend’s birthday. It’s Tiny Tim!

I drew this picture of Eric Kubli for him from memory. I got it wrong, but it’s always good to practice drawing guitars.

Drawing I did for Jessi Zabarsky of Rebecca Sugar’s Pug Davis character, lookin heroic. (both those ladies are amazing, by the way, as are all the other giftees I’ve posted and have yet to post)
I got nothing for this week, so please allow me to direct your attention to some things that make me laff. Enjoy.


Here’s a drawing I did of Exuberance and Know-how for Geneva Hodgson (aka, Exuberance).

A drawing I did for Lala Albert, although I didn’t really succeed in replicating her creepness factor.

Short little comic I did a little bit ago.

Trees on Flickr.
My live action “Spoilers” image.
“Spoilers” is an incredible read. It’s a long form webcomic about a girl who wants to disappear completely, and things fall apart. http://spoilersthecomic.com
Penned by brilliant comic artist and all around great human being Kevin Czapiewski (http://kevinczap.tumblr.com)
Justin, you sweetheart.

Drawing I did for Marian Churchland, after the excellent game theory posts she did on her blog.

Drawing I did for Brandon Graham of characters from his upcoming Multiple Warheads.

One of my favorite things from Liz Suburbia

The old Jainist tale of the blind men and the elephant is a powerful parable for many reasons, particularly in the case it makes for the importance of diversity. Truth can’t be gained from a single perspective, and we need the combined information of multiple viewpoints to get anywhere close. In several ways this lesson is a core principle behind comics — the entire concept isn’t produced from a singularity but rather through the cumulative effect of the panels, pages and so on. Extrapolating this principle outward, it seems to me that fragmentary narrative structure is tailor made for comics. Going even further, I’d argue that fragmentary physical construction, or serialization, is a perfect presentation for comics, at least conceptually. When I got to read Emily Carroll’s “That Night in June,” finally, it seemed to prove my theory as far as I’m concerned.
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Rad poster by Nick Gazin. I love these colors, especially the yellow painted letters.